LEMON HOUND

More Bite Than Bark Since 2005
Author Archive
Nicole Brossard: The Frame Work of Desire

Nicole Brossard: The Frame Work of Desire

Motivation Motivation is defined as “the action of (conscious and unconscious) forces that determine behavior.” We ought therefore to ask ourselves what is the source of our motivation, so as to identify the reasons and motives [les motifs et les mobiles] that generate and nourish feminist consciousness, and at the same time to understand how these two factors affect and...
The Newark Women’s Poetry Club: On Theory, A Sunday

The Newark Women’s Poetry Club: On Theory, A Sunday

For the life of her she can’t imagine how their lives are so different, yet they meet every Sunday in this town called Newark for the poetry club they decided to create. It’s funny how people’s lives have nothing in common, but then you find out you have one thing that ties the two of...
Gail Scott: Feminist at the Carnival

Gail Scott: Feminist at the Carnival

“The verse must be taken to the limit of expressiveness.” (Mayakovsky, How to Make Verses) It is then that the code opens to the rhyming body to formulate, against the present meaning, another meaning, for years to come, impossible. Julia Kristeva [1] Qu’est ce qui est incontournable (unskirtable!) dans le féminisme quand on écrit? What of one’s feminist consciousness...
Jamie Ross: On Theory, A Sunday

Jamie Ross: On Theory, A Sunday

1 The airlock on the huge lilac mead jug glugs away when it’s just me in the sunny third floor kitchen in Montréal’s North End. Way up from the water. The yarrow is flowering and the sumach berries are almost red enough for lemonade. July. I text him back, telling him to meet in the...
Louky Bersianik: Aristotle's Lantern

Louky Bersianik: Aristotle’s Lantern

The Fourth Estate Criticism inhabits the same space as the symbol: both are subject to interpretation, and are thus subjective. There is no more a science of the literary than there is a science of the symbol, even if various theories manage to tease out laws or detect constants. Critical reading, therefore, is nowhere near an exact science; in...
Louise Dupré: Four Sketches for a Morphology

Louise Dupré: Four Sketches for a Morphology

A-Morphs Madonna on television. “Like a Virgin,” she sings in her tiny, mechanical-doll voice. The teen idol of the moment, with exposed belly button and cross hanging from the ear. Bringing together the pornographic with the religious, simultaneously channeling two images that have demonstrated their staying power in Western imagination: the mother (Madonna, Mary, virgin mother of God)...
Erin Wunker: A reflection on reading La Théorie, un dimanche

Erin Wunker: A reflection on reading La Théorie, un dimanche

I first read La Théorie, un dimanche in Montréal twelve years ago. I was in graduate school. I had just moved back to Canada after living in the United States for a decade and a half. I was twenty-two. I did not think I needed feminism. I had never heard of Louise Cotnoir, of Gail...
Louise Cotnoir: Dreams for Human Brains

Louise Cotnoir: Dreams for Human Brains

The Subjecte of Interest [1] To want a woman-subject is to place oneself in a constant state of provocation and aggression: it is to speak of the future because the present literally kills. For those who manage to escape the massacre, the alternative within the patriarchal order is an absolute choice of either prison or exile. Banishment has “force of...
Krystal Languell: A Response to Theory, A Sunday

Krystal Languell: A Response to Theory, A Sunday

Editing and publishing poetry for a small press and a literary magazine has provided me with mentorship relationships and a kind of intimacy with texts I would not have been likely to encounter otherwise. I joined Belladonna* Collaborative in 2010 and one of the first projects I agreed to was working with Rachel Levitsky to see Theory, A Sunday through to...
Lisa Robertson: Theory, A City

Lisa Robertson: Theory, A City

Theory, A City: Introduction Lisa Robertson The feminist writers of Montréal have altered their city irrevocably. When women write about and from the cities they live in, they are transforming the material city into a web of possibility and risk. The description of the city bends back on itself — it not only represents, it opens up a site...
France Théoret: Elegy for the Memory of Women

France Théoret: Elegy for the Memory of Women

Each day I tell myself the story of my life. I know that this sentence is made up of heaviness, desire and truth, ambiguity in regard to writing. Feminism is a thing of yesterday, and so it is also a thing of today. Feminism speaks to the reality-ego.[1] Such a phrase fits only if I abandon it...
QVC 2

QVC 2

Earlier this winter Ben Fama invited several authors to contribute to the folio that follows, titled QVC. Participants were asked to write ~150 words about something they’d recently bought, bought into, invested themselves in, or otherwise consumed, a brief and thoughtful look into their relationship to an item or subject they wished to discuss. The inaugural...
Alex Porco on Gary Barwin: Moon Baboon Canoe

Alex Porco on Gary Barwin: Moon Baboon Canoe

In an interview from June 2010, Canadian poet Gary Barwin expressed his discomfort with being labeled as a surrealist writer and performer. In the early twenty-first century, the term Surrealism risks mystifying as much as it illuminates. “I always have some misgivings about the term when applied outside of its original context,” explains Barwin. [I]t...
Geneviève Robichaud in Conversation with Erín Moure

Geneviève Robichaud in Conversation with Erín Moure

In the spirit of the recently released Secession by Chus Pato with Insecession by Erín Moure (BookThug, 2014), this interview is in two parts. Part One, with Chus Pato, is here while the second part, with Erín Moure, is published below. GR: On the BookThug blog, you ask Chus Pato: “If you could sum up Secession in a few words, what would...
Geneviève Robichaud in Conversation with Chus Pato (Translated by Erín Moure)

Geneviève Robichaud in Conversation with Chus Pato (Translated by Erín Moure)

On the occasion of the recently released Secession by Chus Pato with Insecession by Erín Moure (BookThug, 2014), I had the lucky opportunity of discussing this work with both authors. Seeing how in Secession/Insecession the two texts face each other, are in correspondence with each other, this interview befittingly begins with questions for Chus Pato...
Geneviève Robichaud in Conversation with Chus Pato (versión orixinal)

Geneviève Robichaud in Conversation with Chus Pato (versión orixinal)

A versión en inglés da entrevista está aquí. A segunda parte desta entrevista, con Erín Moure, será publicada o día 7 de xullo 2014, aquí. Geneviève Robichaud (GR): Está marabilloso ter unha obra túa en inglés en Canadá, Chus. Erín Moure destaca que a túa liñaxe poética vén en parte de Mallarmé, Baudelaire, Lautréamont, e...
Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

[22 May 2014 – 3 June] Alex Porco (AP): I’d like to start by asking you to discuss the physical experience of making your artwork. Each drawing is the accumulation of small lines and swirls on large pieces of paper. It takes time to work on such an intimate scale; and, therefore, I imagine, it...

Heather Cromarty on Chris Tysh: Our Lady of the Flowers, Echoic

Each English version of Baudelaire’s Les Fleurs du Mal bears the mark of its translator; each one swings so wildly that sometimes a poem is barely recognizable from one version to the next. “Aux objets répugnants nous trouvons des appas”; “We yield, enthralled, to things repugnant, base”; “In repugnant things we discover charms”; Robert Lowell’s...
Bukem Reitmayer in Conversation with Kevin Barry

Bukem Reitmayer in Conversation with Kevin Barry

Bukem Reitmayer (BR): You started writing about Limerick, Dublin, Cork city, eventually you made your own city, Bohane, and then you began to write about County Sligo – what’s next? Where do you go from here? You mentioned before that you are getting closer and closer to home – what do you mean by that? Kevin...
Fazeela Jiwa in Conversation with Rita Wong and Larissa Lai: sybil unrest

Fazeela Jiwa in Conversation with Rita Wong and Larissa Lai: sybil unrest

[June 9, 2014] Fazeela Jiwa (FJ): sybil unrest was originally published by LINEBooks in 2008, and was just re-released by New Star Books late last year. In your acknowledgements you state that the poem began during the “fraught moment” of the 2003 SARS crisis and the American invasion of Iraq. Is there a similar contextual impetus...
Mira Mattar: Perhaps a finch, a finch perhaps

Mira Mattar: Perhaps a finch, a finch perhaps

Its head is ordinary. Its head is inquisitive. Its head is ordinary and inquisitive. Its head is ordinary but inquisitive. It is a head that is ordinary and inquisitive. It is a head that is ordinary but inquisitive. Can what is ordinary not also be inquisitive? Ordinariness does not preclude inquisitiveness. It is ordinary because...
Waaseyaa’sin Christine Sy in Conversation with Janet Marie Rogers

Waaseyaa’sin Christine Sy in Conversation with Janet Marie Rogers

This interview took place in March 2014 Waaseyaa’sin Christine Sy (WCS): In your latest publication, Unearthed (Leaf Press, 2011), you pay homage to the Coast Salish peoples in whose lands you are a long-time visitor to/dweller in, and acknowledge their lands as informing much of your poetry. You also hold strong to your Mohawk-ness-Tuscarora-ness, the landscapes...
Alex Porco in Conversation with Kerri Pullo

Alex Porco in Conversation with Kerri Pullo

Kerri Pullo’s asemic writing exists at the boundaries of calligraphy, visual poetry, and graffiti. Her rhythmic markings, colors, and textures attempt to reproduce the mind’s energia— its transitions, leaps, interruptions, digressions, and even dissipation. Examples of her work are interspersed throughout the interview that follows below. With good humor and refreshing honesty, Pullo discusses her...

Eric Schmaltz on Divya Victor: Things To Do With Your Mouth

Things to Do With Your Mouth (Les Figues, 2014) is full-throated and bursting. Published in April 2014 as part of TrenchArt: The Logistics Series by Les Figues Press, this is the newest book from Troll-Thread’s sharp-witted former co-conspirator, Divya Victor. With intent to interrogate the long history of fear of women’s voices, Victor employs appropriation and...
Daniel Zomparelli on Jon Paul Fiorentino: Needs Improvement

Daniel Zomparelli on Jon Paul Fiorentino: Needs Improvement

What is it to press against the norm? To push back against the bullies using language, to be the Steve Urkels of society? In Jon Paul Fiorentino’s sixth collection, he sets out to deconstruct the language of pedagogy and what it means to “not fit in.” To get a better understanding of the work, I...