LEMON HOUND

More Bite Than Bark Since 2005
Art & Artists
From Al Purdy's Storm Warning 2

From Al Purdy’s Storm Warning 2

In my reading around Al Purdy of late I came across a copy of Storm Warning 2. I would love to get the poems up too, but I’ll start with this amazing gallery of poets circa 1975.
Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

[22 May 2014 – 3 June] Alex Porco (AP): I’d like to start by asking you to discuss the physical experience of making your artwork. Each drawing is the accumulation of small lines and swirls on large pieces of paper. It takes time to work on such an intimate scale; and, therefore, I imagine, it...
Short Take on Margaux Williamson

Short Take on Margaux Williamson

I Could See Everything The Paintings of Margaux Williamson, Coach House 2014 What I know about painting has been gleaned from looking at paintings, an art form that by now often feels like knitting. The way that Impressionism was a response to Realism. How does painting respond to the ubiquitous digital image? What I want...
Alex Porco in Conversation with Kerri Pullo

Alex Porco in Conversation with Kerri Pullo

Kerri Pullo’s asemic writing exists at the boundaries of calligraphy, visual poetry, and graffiti. Her rhythmic markings, colors, and textures attempt to reproduce the mind’s energia— its transitions, leaps, interruptions, digressions, and even dissipation. Examples of her work are interspersed throughout the interview that follows below. With good humor and refreshing honesty, Pullo discusses her...
Cory Collins: Short Take on Altar for the Bourgeoisie

Cory Collins: Short Take on Altar for the Bourgeoisie

Altar for the Bourgeoisie is the eponymous drawing from Michael Young’s Coruscant Altars, exhibited in 2011 at The Rooms in St. John’s, the cultural complex that houses Newfoundland and Labrador’s provincial art gallery. Created as part of work from his Elbow Room residency, Altar for the Bourgeoisie showcases the tropes of excess among the rich...
Elvia Wilk in Conversation with J. R. Carpenter

Elvia Wilk in Conversation with J. R. Carpenter

Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer.” Does this mean everything or nothing? If there’s...
Emily Dickinson & Jen Bervin: Gorgeous Somethings

Emily Dickinson & Jen Bervin: Gorgeous Somethings

Far, far outside of MFA circles there is a poet whose poetic practice has breached the confines of the blank page to be etched on every available surface. The Far Outside poet famously left her poems–largely unread by hungry eyes of the 19th Century, other than a lucky editor of a literary magazine–tied in little...
Geneviève Robichaud in Conversation with Benjamin Klein: "Fabrications" a Pop-Up Show

Geneviève Robichaud in Conversation with Benjamin Klein: “Fabrications” a Pop-Up Show

Geneviève Robichaud (GR): You’re curating a Pop-up group show with Margot Ross. What is the show’s intention? What was the curatorial frame/aim? How did you choose the work? Benjamin Klein (BK): The artists in the show titled ‘Fabrications’ are Laura Anderson, David Arseneau, Pierre Julien, Mathieu Levesque, Simone Rochon and Jonathan Schouela. The space (a warehouse...
Chantale Potié Short Take on Beat Nation: Art, Hip Hop and Aboriginal Culture

Chantale Potié Short Take on Beat Nation: Art, Hip Hop and Aboriginal Culture

BEAT NATION: Art, Hip Hop and Aboriginal Culture MACM, October 17 2013 – January 5 2014 By Chantale Potié I see the colour red and think of a beating heart, of red velvet cake, of ladybugs, of my road bike, my son’s bike, his Halloween fireman costume, of Swedish berries, and my favourite shirt which...
Version Anglaise: Candice Maddy in Conversation with Steve Giasson

Version Anglaise: Candice Maddy in Conversation with Steve Giasson

  1. Matérialité : Comment pensez-vous que la permanence ou l’impermanence de votre travail éclaire son sujet? Vous sentez-vous que vos œuvres moins tangibles ou de nature moins permanente vous permettent de prendre plus de risques? Éprouvez-vous de la nostalgie envers l’imprimé? Each work has its own issues, but materiality is always one.Take LOVE FROM NEW...
Words into Pictures: An Interview with Julie Doucet

Words into Pictures: An Interview with Julie Doucet

By Frederik Byrn Køhlert Julie Doucet is a Montreal-based artist who reached an international audience with her personal and innovative comics from the ’80s and ’90s. While her comics work is considered groundbreaking and continues to influence new generations of artists, Doucet quit drawing comics around 1999 and has since worked in a number of...
Theatres of the Catastrophal: A Conversation with Nathanaël

Theatres of the Catastrophal: A Conversation with Nathanaël

By Geneviève Robichaud On the occasion of the release of her most recent book, Sisyphus, Outdone. Theatres of the Catastrophal (Nightboat Books, 2012), Nathanaël and I shared a conversation. Geneviève Robichaud: It is the impact of the fragment, the assemblage, the collaborative element of your new book, Sisyphus, Outdone. Theatres of the Catastrophal, that interests me at this...
The Artist Is Present: J. Mae Barizo on Marina Abramović

The Artist Is Present: J. Mae Barizo on Marina Abramović

By Melissa Bull I met J. Mae in St. Petersburg, Russia, in 2007. We were both enrolled in writing classes with Summer Literary Seminars. J. Mae’s poetry workshop was in the classroom beside my fiction workshop, and we invariably arrived bleary-eyed to school each day, clutching our plastic cups of bitter koffe, nodding to one...
Sol Lewitt: Sentences on Conceptual Art

Sol Lewitt: Sentences on Conceptual Art

Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach. Rational judgements repeat rational judgements. Irrational judgements lead to new experience. Formal art is essentially rational. Irrational thoughts should be followed absolutely and logically. If the artist changes his mind midway through the execution of the piece he compromises the...
Writers Recommend: Books to Give

Writers Recommend: Books to Give

We wanted to avoid the inevitable Best-Of lists, but we still want to take the opportunity to recommend books, so here we have a list of favorites and recommendations–not only from this year, and apparently, not only in book form! Enjoy, and best of the season. Also, please fill the comment stream with your recommendations....
Reciting Poetry at 101

Reciting Poetry at 101

from the Office for Soft Architecture’s Department of Appliance Lore, meet Bel.
Candice Maddy en conversation avec / with Steve Giasson

Candice Maddy en conversation avec / with Steve Giasson

J’aurais envie de répondre comme Warhol : « ...I realized that everything I was doing must have been Death. » La mort m’obsède, mais je ne peux pas dire qu’elle « m’intéresse ». J’aime cette histoire de Freud qui raconte qu’il y a longtemps, un roi britannique, atterré par la mort de sa femme,...
Motherhood in the Work: An Inte[re]view of Montreal Visual Artist Frédérique Ulman-Gagné

Motherhood in the Work: An Inte[re]view of Montreal Visual Artist Frédérique Ulman-Gagné

I was trying to work in the house and I had a very young child that was always beside me and naturally he started picking up the paints. I would move my paintings higher so that he could not access them, but he would climb on a chair and he would always attack the painting...
Writing As Performance: An Interview with Chris Kraus

Writing As Performance: An Interview with Chris Kraus

Writer, filmmaker, and professor of film, Chris Kraus’ books include I Love Dick, Aliens & Anorexia, and Torpor. Her films include Gravity & Grace, How to Shoot a Crime, and The Golden Bowl, or, Repression. Kraus is the author of two books of art essays, and a frequent contributor to Artforum and Art in America....
The Men Around Here

The Men Around Here

The men around here huddle still and sudden as mountains. Their hands dangle like wrenches. Thumbs of sandpaper. Use me, they say. I’m ready. Hours gather, hard in stomachs. Overalls stiff,  scarred as the skin of elephants. There where the sparks landed, a hole, there where he dropped the blowtorch, a swath soft as the...
GANGNAM SEMIOTICS: IRONY AND THE POSTIRONIC MEME CULTURE

GANGNAM SEMIOTICS: IRONY AND THE POSTIRONIC MEME CULTURE

I don’t know about you but my day job looks a lot like this. And also this: Ah, the boundless entertainment of the internets. Link-swapping is up there with my preferred methods of workcrastination, and kinder to the wallet than online shopping (just try to forget your credit card numbers once they’re memorized, go ahead...
Lucy Lippard: Conceptualism, Feminism, Activism

Lucy Lippard: Conceptualism, Feminism, Activism

Lucy R. Lippard from Artforum on Vimeo.
Jen Benka: Poemgraphs

Jen Benka: Poemgraphs

SQ: I love these, Jen. I’m amazed at how different they are, given the sameness of the type, the basic poem, as a visual from this distance. Can you tell me how you got started? JB: Thank you, Sina. Well, I studied photography in college, in addition to writing, and have on- and off-again experimented with...
Yekaterina Samutsevich: Closing Statement at the Pussy Riot Trial

Yekaterina Samutsevich: Closing Statement at the Pussy Riot Trial

by hecksinductionhour | August 8, 2012 · 7:40 pm Yekaterina Samutsevich: Closing Statement at the Pussy Riot Trial Yekaterina Samutsevich, defendant in the criminal case against the feminist punk group Pussy Riot: In the closing statement, the defendant is expected to repent, express regret for their deeds or enumerate attenuating circumstances. In my case, as...
In conversation: Zoe Strauss

In conversation: Zoe Strauss

(Photograph by Zoe Strauss) If you reading this fuck you Zoe Strauss is a self-taught photography-based installation artist. She lives and works in Philadelphia where she was born (at Pennsylvania Hospital, the nation’s first), and with the exception of a brief sojourn in Nevada, where she was raised. Strauss comes from a close-knit family. Her...