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More Bite Than Bark Since 2005
Conceptual

Felix Bernstein: Breakfast at Tiffany’s; Dinner at Goldsmith’s

Breakfast at Tiffany’s; Dinner at Goldsmith’s: On Daniel’s Canon and Kenneth’s Memes by Felix Bernstein In his article Cheap Signaling, professor Daniel Tiffany argues that there is something new amongst a freshly grouped constellation of poets. That something new (to be brief: culture jamming) is not far from what I have written about in my...
Joey Yearous-Algozin on Trisha Low: The Compleat Purge

Joey Yearous-Algozin on Trisha Low: The Compleat Purge

“After all: the ‘I’ is not to be expelled, but submitted to sacrifice.” —Nick Land, The Thirst for Annihilation: Georges Bataille and Virulent Nihilism In the current saturation of social media in which our daily confessions constitute only the generic projection of a self, The Compleat Purge (Kenning Editions, 2013) may mark the death of...
Toby Altman: Paragraphs on Lyric Poetry

Toby Altman: Paragraphs on Lyric Poetry

I will refer to the kind of writing in which I am involved as lyric poetry. In lyric poetry the idea or concept is the most important aspect of the work. When an author uses a lyric form of writing, it means that all of the planning and decisions are made beforehand and the execution...
Kathryn Mockler: On Printing Out the Internet

Kathryn Mockler: On Printing Out the Internet

by Kathryn Mockler  “…capitalism has a knack for devouring and absorbing everything in its path—including any critique of capitalism.” (from Notes on Conceptualisms) When I taught an experimental writing course to undergraduates this past winter my students and I were most surprised to discover, through some of the class exercises, the extent to which we...
Abstract/Concrete #3 - Natalie Czech

Abstract/Concrete #3 – Natalie Czech

I’ve written in several places about erasure texts (most recently in the latest issue of Evening will come) as typified by Jen Bervin’s nets. Berlin’s Natalie Czech creates uncanny limit-case poems that point to the end of erasure texts, each piece a seemingly impossible conjuring of texts within texts. Czech’s Je n’ai rien à dire....
Version Anglaise: Candice Maddy in Conversation with Steve Giasson

Version Anglaise: Candice Maddy in Conversation with Steve Giasson

  1. Matérialité : Comment pensez-vous que la permanence ou l’impermanence de votre travail éclaire son sujet? Vous sentez-vous que vos œuvres moins tangibles ou de nature moins permanente vous permettent de prendre plus de risques? Éprouvez-vous de la nostalgie envers l’imprimé? Each work has its own issues, but materiality is always one.Take LOVE FROM NEW...
Vanessa Place: The Allegory and the Archive

Vanessa Place: The Allegory and the Archive

The Allegory and the Archive/ Vanessa Place But I must constantly repeat that I say all this in connection with repetition. Kierkegaard Je ne suis point la justice. PlaceWith luck, I ended yesterday on guilt and shame; now that you are in a proper frame of mind, we will consider—thankfully more briefly—allegory and the archive,...

Abstract/Concrete #2 — Cecilie Bjørgås Jordheim

by derek beaulieu I first encountered Cecilie Bjørgås Jordheim in Oslo in 2010 after brief discussions online. She had been in the audience for a series of talks by Kenneth Goldsmith the year before and their correspondence lead to Cecilie and I deciding that her work would be featured as part of the Visual Poetry...
The Artist Is Present: J. Mae Barizo on Marina Abramović

The Artist Is Present: J. Mae Barizo on Marina Abramović

By Melissa Bull I met J. Mae in St. Petersburg, Russia, in 2007. We were both enrolled in writing classes with Summer Literary Seminars. J. Mae’s poetry workshop was in the classroom beside my fiction workshop, and we invariably arrived bleary-eyed to school each day, clutching our plastic cups of bitter koffe, nodding to one...
Sol Lewitt: Sentences on Conceptual Art

Sol Lewitt: Sentences on Conceptual Art

Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach. Rational judgements repeat rational judgements. Irrational judgements lead to new experience. Formal art is essentially rational. Irrational thoughts should be followed absolutely and logically. If the artist changes his mind midway through the execution of the piece he compromises the...

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