LEMON HOUND

More Bite Than Bark Since 2005
Poetry & Poetics
Dan Chiasson: One Poem

Dan Chiasson: One Poem

Interviewing Janet Malcolm To interview the interviewer, you need a mirror. She’s trading privacy for peekaboo. Janet Malcolm writes the questions that she answers. Her apartment had the air of “New York Writer”: The cat, the glass-top table, a park view; On the far wall, facing us, an ornate mirror. Her cat, and not her...
Diego Báez on Paul Vermeersch

Diego Báez on Paul Vermeersch

Paul Vermeersch, Don’t Let It End Like This Tell Them I Said Something, ECW 2014 Like Y2K survivalists and street corner preachers, Paul Vermeersch seems to insist the apocalypse has been upon us for a while, now. However, unlike frightful doomsdayers, Vermeersch revels in this proclamation and, contrary to popular imagination, does not include cerebrophagic...
Jeramy Dodds: The Poetic Edda

Jeramy Dodds: The Poetic Edda

  Excerpt from Jeramy Dodds’ The Poetic Edda, Coach House 2014, by permission. Jeramy Dodds’s first collection of poems, Crabwise to the Hounds, won the Trillium Book Award for Poetry and was shortlisted for the Griffin Poetry Prize. His poems have won the CBC Literary Prize and the Bronwen Wallace Memorial Award. He holds an...
Kerry-Lee Powell: Four Poems

Kerry-Lee Powell: Four Poems

TO MY CREDITORS A dozen red razors. Eleven peals of manic laughter, ten impending crises. Nine duels at dawn followed by eight candlelight vigils. Seven sighs, six lies, five excellent excuses. Four of my firstborns –three of them bastards– two brinks of despair, one portent of disaster. And O, the moon you asked for.  ...
Christian Bök: from "Colony Collapse Disorder"

Christian Bök: from “Colony Collapse Disorder”

Christian Bök is the author of Crystallography (Coach House Press, 1994), a pataphysical encyclopedia nominated for the Gerald Lampert Memorial Award, and of Eunoia (Coach House Books, 2001), a bestselling work of experimental literature, which has gone on to win the Griffin Prize for Poetic Excellence. Bök has created artificial languages for two television shows:...
bp Nichol: balloons and abstract rubes

bp Nichol: balloons and abstract rubes

Happy 70th bp. What an amazing spirit walked among us. Click on link below. Click on images to advance slideshow. Enjoy.

Ryan Fitzpatrick: Three Poems

I JUST WANT TO ESCAPE When the morning starts with a crisis, I turn to my social network. I’m caught in a series of Kodak moments and it makes me feel so lucky. I tear up when colour swells into my recombinating diary. My lungs hurt during the moment of silence. The odds favour me...
Danielle Bobker: Belle, A New View of 18th Century Racism

Danielle Bobker: Belle, A New View of 18th Century Racism

Belle: A New View of Eighteenth-Century Racism by Danielle Bobker  Belle (2013), directed by Amma Asante and written by Misan Sagay, tells stories that are by turns deeply familiar and completely fresh. You need only to have read a Jane Austen (1775-1817) novel or two, or seen any of the movie adaptations, to guess the...
Maureen N. McLane: Two Poems

Maureen N. McLane: Two Poems

WHAT’S THE MATTER Why the low mood, the picking at food? Maybe it’s the weather. Maybe it’s hormones. Explanation’s cheap but sometimes hits the mark. I am the target of mysterious arrows I myself let sling. O that’s your fantasy of omnipotence. You make everything your thing. All day I stayed in bed. It seemed...

Felix Bernstein: Breakfast at Tiffany’s; Dinner at Goldsmith’s

Breakfast at Tiffany’s; Dinner at Goldsmith’s: On Daniel’s Canon and Kenneth’s Memes by Felix Bernstein In his article Cheap Signaling, professor Daniel Tiffany argues that there is something new amongst a freshly grouped constellation of poets. That something new (to be brief: culture jamming) is not far from what I have written about in my...
Rebecca Hazelton: Three Poems

Rebecca Hazelton: Three Poems

COVER Halfway through the mission, the operative called his handler and told her the children in the park he could see from the clerestory were flying kites with tails decorated in ribbon and foil. They are putting a real emphasis on aesthetics, he told her. Some of us are born with priorities, and the rest...
Jackson Mac Low: 1978

Jackson Mac Low: 1978

Jackson Mac Low on Public Access Poetry, Jan. 26, 1978. See Penn Sound for more.
Stevie Howell: Two Poems

Stevie Howell: Two Poems

PIQUE Another committee meeting. Of course no one will shit or get off the pot. 7 scientists, 11 politicians, 3 generals, an anthropologist, and a sculptor. No one knows who invited the last. We’re debating a symbol that ought to last 100,000 years. Or whether a symbol ought not to exist at all. We scarfed...
Paul Vermeersch: Rubble

Paul Vermeersch: Rubble

RUBBLE Paul Vermeersch 2 The shark-face is screaming in the doorway opening its fangs. SCREAMING thathat it cannot die, that it has come back, this time on wings, and will spare no earthly thing. It is moving above me, it is burning my heart out. The ancient owls’ nest must have burned. A red fox...

Cat Diary

CAT DIARY The cat keeps staring at the corner. He’s been there forever, listening. Okay, he gets up to eat and shit but he always goes back to that corner in the bedroom. He just stares. My girlfriend, Staci, there’s a word she likes: Uncanny. I can’t touch him or talk to him. Freaks him...

Sonnet L’Abbe: Writing through Sonnet 22

From Sonnet’s Shakespeare: 154 Ecolonizations XXII So many girls are missing. Shamefully, no type rescues dead demoiselles. Media memorials nod: isolated occurrences, gasp-worthy. Mouthfuls of sand, throats squaw-red, our foundation sedates – butch! burn, twat! witch! – sentences. Winters here; frontiersmen; soft furs: brown siblings, the threshold threatening looks and ideals. This ignominy daylights homeys’...
Ben Tripp: French

Ben Tripp: French

FRENCH She couldn’t leave the room She wasn’t able to leave the room She used to not be able to leave the room The imperfect is the film “I was swimming.” The composed past is the photograph “I swam.” I don’t know exactly when I’m thinking I know exactly where I’m thinking To prefer the...

Joshua Mehigan: One Poem

Heard at the Men’s Mission How many sons-of-bitches no one loves, with long coats on in June and beards like nests— guys no one touches without latex gloves, squirming with lice, themselves a bunch of pests, their cheeks and noses pocked like grapefruit rind— fellas with permanent shits and yellowish eyes who, if they came...
Emerging Toronto Poets: Stevie & Aisha Want You!

Emerging Toronto Poets: Stevie & Aisha Want You!

Here’s the first of a few LAST CALLS as we head into our final year of publishing. Lemon Hound is open to submissions from Emerging Toronto poets starting today and continuing until August 23, 2014. Co-editors Stevie Howell & Aisha Sasha John are seeking 3-5 pages of previously unpublished poetry by Toronto poets with two books or less, for a folio of new voices....
Alex Porco on Gary Barwin: Moon Baboon Canoe

Alex Porco on Gary Barwin: Moon Baboon Canoe

In an interview from June 2010, Canadian poet Gary Barwin expressed his discomfort with being labeled as a surrealist writer and performer. In the early twenty-first century, the term Surrealism risks mystifying as much as it illuminates. “I always have some misgivings about the term when applied outside of its original context,” explains Barwin. [I]t...
From Al Purdy's Storm Warning 2

From Al Purdy’s Storm Warning 2

In my reading around Al Purdy of late I came across a copy of Storm Warning 2. I would love to get the poems up too, but I’ll start with this amazing gallery of poets circa 1975.
Geneviève Robichaud in Conversation with Erín Moure

Geneviève Robichaud in Conversation with Erín Moure

In the spirit of the recently released Secession by Chus Pato with Insecession by Erín Moure (BookThug, 2014), this interview is in two parts. Part One, with Chus Pato, is here while the second part, with Erín Moure, is published below. GR: On the BookThug blog, you ask Chus Pato: “If you could sum up Secession in a few words, what would...
Geneviève Robichaud in Conversation with Chus Pato (Translated by Erín Moure)

Geneviève Robichaud in Conversation with Chus Pato (Translated by Erín Moure)

On the occasion of the recently released Secession by Chus Pato with Insecession by Erín Moure (BookThug, 2014), I had the lucky opportunity of discussing this work with both authors. Seeing how in Secession/Insecession the two texts face each other, are in correspondence with each other, this interview befittingly begins with questions for Chus Pato...
Geneviève Robichaud in Conversation with Chus Pato (versión orixinal)

Geneviève Robichaud in Conversation with Chus Pato (versión orixinal)

A versión en inglés da entrevista está aquí. A segunda parte desta entrevista, con Erín Moure, será publicada o día 7 de xullo 2014, aquí. Geneviève Robichaud (GR): Está marabilloso ter unha obra túa en inglés en Canadá, Chus. Erín Moure destaca que a túa liñaxe poética vén en parte de Mallarmé, Baudelaire, Lautréamont, e...

Heather Cromarty on Chris Tysh: Our Lady of the Flowers, Echoic

Each English version of Baudelaire’s Les Fleurs du Mal bears the mark of its translator; each one swings so wildly that sometimes a poem is barely recognizable from one version to the next. “Aux objets répugnants nous trouvons des appas”; “We yield, enthralled, to things repugnant, base”; “In repugnant things we discover charms”; Robert Lowell’s...