Felix Bernstein: Breakfast at Tiffany’s; Dinner at Goldsmith’s

Breakfast at Tiffany’s; Dinner at Goldsmith’s: On Daniel’s Canon and Kenneth’s Memes by Felix Bernstein In his article Cheap Signaling, professor Daniel Tiffany argues that there is something new amongst…

Joey Yearous-Algozin on Trisha Low: The Compleat Purge

“After all: the ‘I’ is not to be expelled, but submitted to sacrifice.” —Nick Land, The Thirst for Annihilation: Georges Bataille and Virulent Nihilism In the current saturation of social…

Kathryn Mockler: On Printing Out the Internet

by Kathryn Mockler  “…capitalism has a knack for devouring and absorbing everything in its path—including any critique of capitalism.” (from Notes on Conceptualisms) When I taught an experimental writing course…

Abstract/Concrete #3 – Natalie Czech

I’ve written in several places about erasure texts (most recently in the latest issue of Evening will come) as typified by Jen Bervin’s nets. Berlin’s Natalie Czech creates uncanny limit-case…

Version Anglaise: Candice Maddy in Conversation with Steve Giasson

  1. Matérialité : Comment pensez-vous que la permanence ou l’impermanence de votre travail éclaire son sujet? Vous sentez-vous que vos œuvres moins tangibles ou de nature moins permanente vous permettent…

Vanessa Place: The Allegory and the Archive

The Allegory and the Archive/ Vanessa Place But I must constantly repeat that I say all this in connection with repetition. Kierkegaard Je ne suis point la justice. PlaceWith luck,…

Abstract/Concrete #2 — Cecilie Bjørgås Jordheim

by derek beaulieu I first encountered Cecilie Bjørgås Jordheim in Oslo in 2010 after brief discussions online. She had been in the audience for a series of talks by Kenneth…

The Artist Is Present: J. Mae Barizo on Marina Abramović

By Melissa Bull I met J. Mae in St. Petersburg, Russia, in 2007. We were both enrolled in writing classes with Summer Literary Seminars. J. Mae’s poetry workshop was in…

Sol Lewitt: Sentences on Conceptual Art

Conceptual artists are mystics rather than rationalists. They leap to conclusions that logic cannot reach. Rational judgements repeat rational judgements. Irrational judgements lead to new experience. Formal art is essentially…

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Candice Maddy en conversation avec / with Steve Giasson

J’aurais envie de répondre comme Warhol : « …I realized that everything I was doing must have been Death. » La mort m’obsède, mais je ne peux pas dire qu’elle « m’intéresse ». J’aime cette histoire de Freud qui raconte qu’il y a longtemps, un roi britannique, atterré par la mort de sa femme, la fit transportée dans tout le royaume. Chaque fois que le cercueil fut déposé au sol, on éleva un monument à cet endroit. Certains de ces monuments existent encore aujourd’hui. Imaginons, poursuit Freud, une femme allant pleurer chaque jour devant l’un d’eux. Cette femme serait une névrosée. Je me trompe peut-être, mais il me semble que ça a quelque chose à voir avec l’art. Beaucoup d’œuvres sont des monuments qui se cachent.

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