LEMON HOUND

More Bite Than Bark Since 2005
Prose & Narrative
Lynn Coady: Four Questions

Lynn Coady: Four Questions

Frankie Barnet: Place plays a significant role in your work. Stories like “Wireless”, “Hellgoing” and “Another World” all seem to have an interest in exploring and critiquing cosmopolitan aspects of city life, as well as differences between city and country life. You yourself are from Cape Breton but now live in Edmonton. How important is...
Malcolm Sutton in Conversation with Alisha Piercy: Bunny and Shark

Malcolm Sutton in Conversation with Alisha Piercy: Bunny and Shark

Malcolm Sutton (MS): Your new novel, Bunny and Shark (BookThug 2014), centres on a Playboy Bunny who is thrown out, in a most dramatic and violent gesture, by her long-time lover. This happens to her at a critical moment in her life: when her power over men is diminishing as her body becomes less desirable...
A Few Of My Favorite Things: Children's Books

A Few Of My Favorite Things: Children’s Books

Who Built That? Modern Houses, Princeton Architectural Press, 2014 My three year-olds are technically way too young for this, but I bought it for them anyhow because we already look at houses when we’re walking and this will make it more fun. Gorgeous book. Gift appeal: wide Brown Girl Dreaming, Jacqueline Woodson, Penguin 2014 Yes,...
Frankie Barnet on Shelly Oria: NEW YORK 1 TEL AVIV 0

Frankie Barnet on Shelly Oria: NEW YORK 1 TEL AVIV 0

NEW YORK 1 TEL AVIV 0, Shelly Oria. Bond Street Books (2014)   “I think, who is this person? That me who isn’t Israeli and isn’t American, isn’t gay and isn’t straight— who is she?” (26).   New York 1, Tel Aviv 0, Shelly Oria’s debut collection of short stories, is a book about intersections...
Daniel Zomparelli: In praise of three great first books

Daniel Zomparelli: In praise of three great first books

Misadventures by Nicholas Grider A Strange Object Press Short Fiction Grider writes a book that is about form, about structure just as much as narrative. He takes characters who wouldn’t normally be able to tell a story but makes the narration work. His stories give you just enough clues to let you settle into the...
Rachel Zolf on Juliana Spahr: The Transformation thinks wit(h)ness

Rachel Zolf on Juliana Spahr: The Transformation thinks wit(h)ness

This essay was originally written as part of Laynie Browne’s project to curate essays on the “poet’s novel”  in mid-2013.A The Transformation, Juliana Spahr. Atelos, 2007 Thinking thought usually amounts to withdrawing into a dimensionless place in which the idea of thought alone persists. But thought in reality spaces itself out into the world. It...
Kate Sterns on Ian McEwan

Kate Sterns on Ian McEwan

The Children Act by Ian McEwan Review by Kate Sterns London. Trinity term one week old. Implacable June weather. This echo of the famous opening to Dickens’ masterpiece, Bleak House serves as the beginning to Ian McEwan’s latest novel, The Children Act. The reference signals, or ought to, that the reader is in for a...

Michael Turner: “Encore”, Encore: Attributions, Adverbs and Attitude from James Purdy’s 1957 Short Story

“Encore”, Encore: Attributions, Adverbs and Attitude from James Purdy’s 1957 Short Story Merta told her brother Spence said, wearily attentive she said her brother said she continued, anxiously stepping in front of him to detain his going Spence said, a kind of cold expressionless tone in his voice she repeated, almost without emotion Spence said...
Reading: Dies: A Sentence

Reading: Dies: A Sentence

A reading of Vanessa Place’s Dies: A Sentence, certainly one of the great literary events of the past decade.
Raziel Reid: from When Everything Feels Like the Movies

Raziel Reid: from When Everything Feels Like the Movies

1. Preproduction I would’ve gone down for a pair of Louboutins (I think they call that “head over heels”), but the closest I ever got was kissing the feet of celebrities in tabloid magazines. My mother’s closet was basically a sex shop. It was full of costumes and shoes, which she wore to work. That’s...

Felix Bernstein: Breakfast at Tiffany’s; Dinner at Goldsmith’s

Breakfast at Tiffany’s; Dinner at Goldsmith’s: On Daniel’s Canon and Kenneth’s Memes by Felix Bernstein In his article Cheap Signaling, professor Daniel Tiffany argues that there is something new amongst a freshly grouped constellation of poets. That something new (to be brief: culture jamming) is not far from what I have written about in my...
Ben Rawluk: Superheart

Ben Rawluk: Superheart

SUPERHEART Ben Rawluk This is about saving the world.  Steel Fury leans forward in the passenger seat of the Foxcar, stainless steel helmet knocking against the windshield, Foxboy grinding his teeth behind the wheel, suspension so terrible you really feel it when the Foxcar hits a crack in the pavement, or a pile of trash,...
QVC 2

QVC 2

Earlier this winter Ben Fama invited several authors to contribute to the folio that follows, titled QVC. Participants were asked to write ~150 words about something they’d recently bought, bought into, invested themselves in, or otherwise consumed, a brief and thoughtful look into their relationship to an item or subject they wished to discuss. The inaugural...
Bukem Reitmayer in Conversation with Kevin Barry

Bukem Reitmayer in Conversation with Kevin Barry

Bukem Reitmayer (BR): You started writing about Limerick, Dublin, Cork city, eventually you made your own city, Bohane, and then you began to write about County Sligo – what’s next? Where do you go from here? You mentioned before that you are getting closer and closer to home – what do you mean by that? Kevin...
Mira Mattar: Perhaps a finch, a finch perhaps

Mira Mattar: Perhaps a finch, a finch perhaps

Its head is ordinary. Its head is inquisitive. Its head is ordinary and inquisitive. Its head is ordinary but inquisitive. It is a head that is ordinary and inquisitive. It is a head that is ordinary but inquisitive. Can what is ordinary not also be inquisitive? Ordinariness does not preclude inquisitiveness. It is ordinary because...
Martha Baillie: The Search for Heinrich Schlögel - A Novel Sent in Fragments

Martha Baillie: The Search for Heinrich Schlögel – A Novel Sent in Fragments

Bitten by doubt, I pick at my prose. I stop writing. Though the novel is nearly done, a crucial element is missing. To prevent myself from destroying the manuscript, why not turn it into something other? Could it “coexist” in a second form? In the novel the year is 1974 and a teenaged German, named...
Marianne Ackerman on Donna Tartt: The Goldfinch

Marianne Ackerman on Donna Tartt: The Goldfinch

Twenty pages into The Goldfinch (Little Brown and Company, 2013) I started having chest pains, accompanied by shortness of breath. My wrist tingled. I figured it must be something I ate, or maybe early signs of a heart attack. But the most obvious source of discomfort lay close at hand, no more than twelve, maybe...
Jonathan Ball: Misreading Edgar Allan Poe's "The Raven"

Jonathan Ball: Misreading Edgar Allan Poe’s “The Raven”

Whenever I teach “The Raven,” a number of students assume a particular misreading: that the narrator has murdered Lenore, and that the raven of the poem symbolizes his guilty conscience. I’m always shocked by how naturally this misreading comes. Students seem to realize it’s not sustainable as a “reasonable” interpretation, but prefer it to more...
La Théorie, un dimanche: we want to hear from you

La Théorie, un dimanche: we want to hear from you

In celebration of Quebec’s diverse writing by women, we’re putting a celebratory folio together for the fall that captures the impact that La Théorie, un dimanche (remue-ménage, 1988) and its recent translation Theory, A Sunday (Belladonna*, 2013) has had since its initial publication in the eighties. We invite you to submit 300-800* words in any...
Sina Queyras: The M Word

Sina Queyras: The M Word

WHAT WE WON’T TALK ABOUT WHEN WE TALK ABOUT MOTHERING When I first saw a Tweet announcing the impending publication of The M Word I Tweeted in response that if the book makes me laugh more than sigh, I would love it. The Tweet was half provocation, half earnest, but as I waded into the...
Heather O'Neill: from The Girl Who Was Saturday Night

Heather O’Neill: from The Girl Who Was Saturday Night

Girls! Girls! Girls! I was heading along Rue Sainte-Catherine to sign up for night school. There was a cat outside a strip joint going in a circle. I guessed it had learned that behaviour from a stripper. I picked it up in my arms. “What’s new, pussycat,” I said. All the buildings on that block...
Doretta Lau: Left and Leaving

Doretta Lau: Left and Leaving

In the winter of 1997, world leaders descended upon Vancouver to discuss important matters. Two kids in Victoria battered and drowned a girl they barely knew. The dead girl, Reena Virk, and I were the same age: fourteen. Dozens of women who lived in the Down- town Eastside had disappeared, but few people seemed concerned....
Mary Ruefle: Trances of the Blast

Mary Ruefle: Trances of the Blast

Various. Precise. Small openings. A journey from one side of the hour to the other. This is not a review. This is also a movement. Like walking into spring while carrying two small dogs under arm and balancing ice cream cones. I thought, this is a cool noise, like ice cracking under the sand. Or...
Bukem Reitmayer on Vivek Shraya: God Loves Hair

Bukem Reitmayer on Vivek Shraya: God Loves Hair

They say Your skin is blue because You are infinite like the sky and the ocean of milk You rest on. I wish my skin was blue. So begins the piece entitled “Dear Vishnu” in Vivek Shraya’s playful and intimate collection of prose poem-like stories, God Loves Hair (Arsenal Pulp Press, 2014). Among brief flashes...
Waaseyaa’sin Christine Sy on Indigenous Literatures: The Politics of the Invitation

Waaseyaa’sin Christine Sy on Indigenous Literatures: The Politics of the Invitation

It may be argued that the field of literature, as an art, is marginalized in Canada in terms of disciplinary focus and financial support in comparison to say economics, politics, or science. The same may be said for literature as a cultural process, artifact, and product—the funding of literature and priority in funding literature is...