LEMON HOUND

More Bite Than Bark Since 2005
Jeramy Dodds: The Poetic Edda

Jeramy Dodds: The Poetic Edda

  Excerpt from Jeramy Dodds’ The Poetic Edda, Coach House 2014, by permission. Jeramy Dodds’s first collection of poems, Crabwise to the Hounds, won the Trillium Book Award for Poetry and was shortlisted for the Griffin Poetry Prize. His poems have won the CBC Literary Prize and the Bronwen Wallace...
Nicole Brossard: The Frame Work of Desire

Nicole Brossard: The Frame Work of Desire

Motivation Motivation is defined as “the action of (conscious and unconscious) forces that determine behavior.” We ought therefore to ask ourselves what is the source of our motivation, so as to identify the reasons and motives [les motifs et les mobiles] that generate and nourish feminist consciousness, and at the same time to understand how...
Gail Scott: Feminist at the Carnival

Gail Scott: Feminist at the Carnival

“The verse must be taken to the limit of expressiveness.” (Mayakovsky, How to Make Verses) It is then that the code opens to the rhyming body to formulate, against the present meaning, another meaning, for years to come, impossible. Julia Kristeva [1] Qu’est ce qui est incontournable (unskirtable!) dans le féminisme quand on écrit?...
Louky Bersianik: Aristotle's Lantern

Louky Bersianik: Aristotle’s Lantern

The Fourth Estate Criticism inhabits the same space as the symbol: both are subject to interpretation, and are thus subjective. There is no more a science of the literary than there is a science of the symbol, even if various theories manage to tease out laws or detect constants. Critical reading, therefore, is...
Danielle Bobker: Belle, A New View of 18th Century Racism

Danielle Bobker: Belle, A New View of 18th Century Racism

Belle: A New View of Eighteenth-Century Racism by Danielle Bobker  Belle (2013), directed by Amma Asante and written by Misan Sagay, tells stories that are by turns deeply familiar and completely fresh. You need only to have read a Jane Austen (1775-1817) novel or two, or seen any of the...
Louise Dupré: Four Sketches for a Morphology

Louise Dupré: Four Sketches for a Morphology

A-Morphs Madonna on television. “Like a Virgin,” she sings in her tiny, mechanical-doll voice. The teen idol of the moment, with exposed belly button and cross hanging from the ear. Bringing together the pornographic with the religious, simultaneously channeling two images that have demonstrated their staying power in Western imagination: the mother (Madonna,...
Louise Cotnoir: Dreams for Human Brains

Louise Cotnoir: Dreams for Human Brains

The Subjecte of Interest [1] To want a woman-subject is to place oneself in a constant state of provocation and aggression: it is to speak of the future because the present literally kills. For those who manage to escape the massacre, the alternative within the patriarchal order is an absolute choice of either prison or...
Jackson Mac Low: 1978

Jackson Mac Low: 1978

Jackson Mac Low on Public Access Poetry, Jan. 26, 1978. See Penn Sound for more.
Lisa Robertson: Theory, A City

Lisa Robertson: Theory, A City

Theory, A City: Introduction Lisa Robertson The feminist writers of Montréal have altered their city irrevocably. When women write about and from the cities they live in, they are transforming the material city into a web of possibility and risk. The description of the city bends back on itself — it not only represents,...
France Théoret: Elegy for the Memory of Women

France Théoret: Elegy for the Memory of Women

Each day I tell myself the story of my life. I know that this sentence is made up of heaviness, desire and truth, ambiguity in regard to writing. Feminism is a thing of yesterday, and so it is also a thing of today. Feminism speaks to the reality-ego.[1] Such a phrase fits...
Latest entries
Paul Vermeersch: Rubble

Paul Vermeersch: Rubble

RUBBLE Paul Vermeersch 2 The shark-face is screaming in the doorway opening its fangs. SCREAMING thathat it cannot die, that it has come back, this time on wings, and will spare no earthly thing. It is moving above me, it is burning my heart out. The ancient owls’ nest must have burned. A red fox...
Ben Rawluk: Superheart

Ben Rawluk: Superheart

SUPERHEART Ben Rawluk This is about saving the world.  Steel Fury leans forward in the passenger seat of the Foxcar, stainless steel helmet knocking against the windshield, Foxboy grinding his teeth behind the wheel, suspension so terrible you really feel it when the Foxcar hits a crack in the pavement, or a pile of trash,...

Cat Diary

CAT DIARY The cat keeps staring at the corner. He’s been there forever, listening. Okay, he gets up to eat and shit but he always goes back to that corner in the bedroom. He just stares. My girlfriend, Staci, there’s a word she likes: Uncanny. I can’t touch him or talk to him. Freaks him...

Sonnet L’Abbe: Writing through Sonnet 22

From Sonnet’s Shakespeare: 154 Ecolonizations XXII So many girls are missing. Shamefully, no type rescues dead demoiselles. Media memorials nod: isolated occurrences, gasp-worthy. Mouthfuls of sand, throats squaw-red, our foundation sedates – butch! burn, twat! witch! – sentences. Winters here; frontiersmen; soft furs: brown siblings, the threshold threatening looks and ideals. This ignominy daylights homeys’...
QVC 2

QVC 2

Earlier this winter Ben Fama invited several authors to contribute to the folio that follows, titled QVC. Participants were asked to write ~150 words about something they’d recently bought, bought into, invested themselves in, or otherwise consumed, a brief and thoughtful look into their relationship to an item or subject they wished to discuss. The inaugural...
Ben Tripp: French

Ben Tripp: French

FRENCH She couldn’t leave the room She wasn’t able to leave the room She used to not be able to leave the room The imperfect is the film “I was swimming.” The composed past is the photograph “I swam.” I don’t know exactly when I’m thinking I know exactly where I’m thinking To prefer the...

Joshua Mehigan: One Poem

Heard at the Men’s Mission How many sons-of-bitches no one loves, with long coats on in June and beards like nests— guys no one touches without latex gloves, squirming with lice, themselves a bunch of pests, their cheeks and noses pocked like grapefruit rind— fellas with permanent shits and yellowish eyes who, if they came...
Emerging Toronto Poets: Stevie & Aisha Want You!

Emerging Toronto Poets: Stevie & Aisha Want You!

Here’s the first of a few LAST CALLS as we head into our final year of publishing. Lemon Hound is open to submissions from Emerging Toronto poets starting today and continuing until August 23, 2014. Co-editors Stevie Howell & Aisha Sasha John are seeking 3-5 pages of previously unpublished poetry by Toronto poets with two books or less, for a folio of new voices....
Alex Porco on Gary Barwin: Moon Baboon Canoe

Alex Porco on Gary Barwin: Moon Baboon Canoe

In an interview from June 2010, Canadian poet Gary Barwin expressed his discomfort with being labeled as a surrealist writer and performer. In the early twenty-first century, the term Surrealism risks mystifying as much as it illuminates. “I always have some misgivings about the term when applied outside of its original context,” explains Barwin. [I]t...
From Al Purdy's Storm Warning 2

From Al Purdy’s Storm Warning 2

In my reading around Al Purdy of late I came across a copy of Storm Warning 2. I would love to get the poems up too, but I’ll start with this amazing gallery of poets circa 1975.
Geneviève Robichaud in Conversation with Erín Moure

Geneviève Robichaud in Conversation with Erín Moure

In the spirit of the recently released Secession by Chus Pato with Insecession by Erín Moure (BookThug, 2014), this interview is in two parts. Part One, with Chus Pato, is here while the second part, with Erín Moure, is published below. GR: On the BookThug blog, you ask Chus Pato: “If you could sum up Secession in a few words, what would...
Geneviève Robichaud in Conversation with Chus Pato (Translated by Erín Moure)

Geneviève Robichaud in Conversation with Chus Pato (Translated by Erín Moure)

On the occasion of the recently released Secession by Chus Pato with Insecession by Erín Moure (BookThug, 2014), I had the lucky opportunity of discussing this work with both authors. Seeing how in Secession/Insecession the two texts face each other, are in correspondence with each other, this interview befittingly begins with questions for Chus Pato...
Geneviève Robichaud in Conversation with Chus Pato (versión orixinal)

Geneviève Robichaud in Conversation with Chus Pato (versión orixinal)

A versión en inglés da entrevista está aquí. A segunda parte desta entrevista, con Erín Moure, será publicada o día 7 de xullo 2014, aquí. Geneviève Robichaud (GR): Está marabilloso ter unha obra túa en inglés en Canadá, Chus. Erín Moure destaca que a túa liñaxe poética vén en parte de Mallarmé, Baudelaire, Lautréamont, e...
Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

[22 May 2014 – 3 June] Alex Porco (AP): I’d like to start by asking you to discuss the physical experience of making your artwork. Each drawing is the accumulation of small lines and swirls on large pieces of paper. It takes time to work on such an intimate scale; and, therefore, I imagine, it...

Heather Cromarty on Chris Tysh: Our Lady of the Flowers, Echoic

Each English version of Baudelaire’s Les Fleurs du Mal bears the mark of its translator; each one swings so wildly that sometimes a poem is barely recognizable from one version to the next. “Aux objets répugnants nous trouvons des appas”; “We yield, enthralled, to things repugnant, base”; “In repugnant things we discover charms”; Robert Lowell’s...
Bukem Reitmayer in Conversation with Kevin Barry

Bukem Reitmayer in Conversation with Kevin Barry

Bukem Reitmayer (BR): You started writing about Limerick, Dublin, Cork city, eventually you made your own city, Bohane, and then you began to write about County Sligo – what’s next? Where do you go from here? You mentioned before that you are getting closer and closer to home – what do you mean by that? Kevin...
Short Take on Margaux Williamson

Short Take on Margaux Williamson

I Could See Everything The Paintings of Margaux Williamson, Coach House 2014 What I know about painting has been gleaned from looking at paintings, an art form that by now often feels like knitting. The way that Impressionism was a response to Realism. How does painting respond to the ubiquitous digital image? What I want...
Fazeela Jiwa in Conversation with Rita Wong and Larissa Lai: sybil unrest

Fazeela Jiwa in Conversation with Rita Wong and Larissa Lai: sybil unrest

[June 9, 2014] Fazeela Jiwa (FJ): sybil unrest was originally published by LINEBooks in 2008, and was just re-released by New Star Books late last year. In your acknowledgements you state that the poem began during the “fraught moment” of the 2003 SARS crisis and the American invasion of Iraq. Is there a similar contextual impetus...
Mira Mattar: Perhaps a finch, a finch perhaps

Mira Mattar: Perhaps a finch, a finch perhaps

Its head is ordinary. Its head is inquisitive. Its head is ordinary and inquisitive. Its head is ordinary but inquisitive. It is a head that is ordinary and inquisitive. It is a head that is ordinary but inquisitive. Can what is ordinary not also be inquisitive? Ordinariness does not preclude inquisitiveness. It is ordinary because...
Waaseyaa’sin Christine Sy in Conversation with Janet Marie Rogers

Waaseyaa’sin Christine Sy in Conversation with Janet Marie Rogers

This interview took place in March 2014 Waaseyaa’sin Christine Sy (WCS): In your latest publication, Unearthed (Leaf Press, 2011), you pay homage to the Coast Salish peoples in whose lands you are a long-time visitor to/dweller in, and acknowledge their lands as informing much of your poetry. You also hold strong to your Mohawk-ness-Tuscarora-ness, the landscapes...
Alex Porco in Conversation with Kerri Pullo

Alex Porco in Conversation with Kerri Pullo

Kerri Pullo’s asemic writing exists at the boundaries of calligraphy, visual poetry, and graffiti. Her rhythmic markings, colors, and textures attempt to reproduce the mind’s energia— its transitions, leaps, interruptions, digressions, and even dissipation. Examples of her work are interspersed throughout the interview that follows below. With good humor and refreshing honesty, Pullo discusses her...

Eric Schmaltz on Divya Victor: Things To Do With Your Mouth

Things to Do With Your Mouth (Les Figues, 2014) is full-throated and bursting. Published in April 2014 as part of TrenchArt: The Logistics Series by Les Figues Press, this is the newest book from Troll-Thread’s sharp-witted former co-conspirator, Divya Victor. With intent to interrogate the long history of fear of women’s voices, Victor employs appropriation and...
Daniel Zomparelli on Jon Paul Fiorentino: Needs Improvement

Daniel Zomparelli on Jon Paul Fiorentino: Needs Improvement

What is it to press against the norm? To push back against the bullies using language, to be the Steve Urkels of society? In Jon Paul Fiorentino’s sixth collection, he sets out to deconstruct the language of pedagogy and what it means to “not fit in.” To get a better understanding of the work, I...
Cory Collins: Short Take on Altar for the Bourgeoisie

Cory Collins: Short Take on Altar for the Bourgeoisie

Altar for the Bourgeoisie is the eponymous drawing from Michael Young’s Coruscant Altars, exhibited in 2011 at The Rooms in St. John’s, the cultural complex that houses Newfoundland and Labrador’s provincial art gallery. Created as part of work from his Elbow Room residency, Altar for the Bourgeoisie showcases the tropes of excess among the rich...
Martha Baillie: The Search for Heinrich Schlögel - A Novel Sent in Fragments

Martha Baillie: The Search for Heinrich Schlögel – A Novel Sent in Fragments

Bitten by doubt, I pick at my prose. I stop writing. Though the novel is nearly done, a crucial element is missing. To prevent myself from destroying the manuscript, why not turn it into something other? Could it “coexist” in a second form? In the novel the year is 1974 and a teenaged German, named...