THANATOS from Zolitude (Biblioasis, 2018) By Paige Cooper This view, I make explicit to the child, has shattered the unity through which I had thought I could extend my sovereignty…
Author: LEC
ANNE CARSON, ANTIGONE, AND THE PERILOUSNESS OF THEATRE: IN CONVERSATION WITH WILL AITKEN Phoebe Fregoli: I wanted to start—I know that you mentioned in your book that you were going…
BABIES CW: Graphic sexual scenes, NSFW When I come home, there is no one there. I make a hasty transformation. In the bedroom, I strip off my clothes—stockings and garter…
This is an excerpt from a longer chapter titled “Notes on Rape Culture” and is posted with permission from the author. Every now and then in the writing of this,…
FEAR FACTOR Looking after yourself is hard if you’re not much of a people person. Once I entered the doctor’s office and was photographed by a robot receptionist whose one…
This Is the Homeland, Mary Hickman. Ashahta Press (2015). POEMS FOR THE WAYWARD PILGRIM: MARY HICKMAN’S THIS IS THE HOMELAND As a surgical technologist assisting in open-heart surgery, Mary Hickman…
This Wound is a World, Billy-Ray Belcourt. Frontenac House (2017). In her essay “Queer Feelings,” from The Cultural Politics of Emotion, Sara Ahmed writes, “Sexual orientation involves bodies that leak…
SAILOR GARBAGE What garbage you are. What garbage you are. What simmering garbage. What are you simmering garbage? Here are the things that are eternal: 1. Garbage 2.…
The Babysitter at Rest, Jen George. Dorothy Project (2016) Writing a review for the five stories that comprise Jen George’s debut collection, The Babysitter at Rest, has been somewhat of…
Planetary Noise, Erín Moure. Wesleyan University Press (2017). MOURE INTERPRETING THE SEMIOTIC BODY Planetary Noise—a new collection of Erín Moure’s poetry edited and with an introduction by Shannon Maguire—engages in…
Intertidal: The Collected Earlier Poems, 1968–2008, Daphne Marlatt. Talon Books (2017). We went to see Daphne Marlatt read as part of Writers Read before we got our hands on her…
Feel Free, Zadie Smith. Hamish Hamilton (2018). It seemed to me, as I read Feel Free, Zadie Smith’s new collection of nonfiction, that every essay in the world concerns the…