If a poem costs nothing to write I don’t want to read it

MR: Oh, sure. By my early thirties, I think I’d stopped believing I was going to succeed as a poet. It’d been years since I’d had a poem accepted anywhere, and…

The Allen Ginsberg Project: Mind Mouth & Page – 23 (Pound and the Vernacular)

So Pound, being a great scholar, went to find all the parallels in history where there was a transition from an official, or archaic, or classical, prosody and tongue and…

Sue Goyette: Outskirts

from “aquifers,”  two Gathering is important because the human voice taps our agricultural roots  and constructs a subdivision of voice that affects the heart of our supplies. Any kind of…

Feminist Boot Camp #89: Know Your Materials

–Eva Hesse’s Materials As Woolf said, words fail us. Words fail us because they are so common. Because they have been the mouths of generations before us. And now around…

Feminist Boot Camp #27 Let Your Poem Go

She let her poem go. It slid down the blue wave into the sandbox of the afternoon. It fraternized on the street with young people drinking wine and sporting revolutionary…

When poets turn to fiction : Sina Queyras : Harriet the Blog : The Poetry Foundation

Latest post over at Harriet. I find myself constantly wanting to apologize for not writing a big important boy novel about ideas, or a funny novel about a whimsical girl.…

On Reading Stein : Sina Queyras : Harriet the Blog : The Poetry Foundation

In which I recount reading Stein at Poetry Foundation and upon reflection, do so with altogether too many “I”s. Ick. Bad Poet. Bad. For the record, here is how I…

What are we talking about when we talk about Lyric? A response to Kenneth Goldsmith’s Response to the Lyric Conceptualism Manifesto

One of my central questions then, is can we really posit a binary that asserts a lyric impulse, or lyric creativity as opposed to what might be termed non-lyric, or…

Making Art from Art

Making art from art has never been more exciting. Or, perhaps we just have so much to work with. And it seems to me that what conceptual art/writing does best…

Kristin Prevallet reads Lisa Robertson & Stacy Doris

This was one of the most moving and dynamic readings. Like Julie Patton, Prevallet used the whole room, up into the balcony and down and around the room, shouting out…