Cornelia Barber: Looking at Emma’s Dilemma
“There is No Scene Here” Looking at Emma’s Dilemma (Henry Hills, 2012) by Cornelia Barber To look is to be curious, to be interested, to lower yourself. No one you look at is worth it. Looking is always demeaning. The word conversation is banished. I think that’s what best conveys the...
From Al Purdy’s Storm Warning 2
In my reading around Al Purdy of late I came across a copy of Storm Warning 2. I would love to get the poems up too, but I’ll start with this amazing gallery of poets circa 1975. Please follow and like us:0
Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language
[22 May 2014 – 3 June] Alex Porco (AP): I’d like to start by asking you to discuss the physical experience of making your artwork. Each drawing is the accumulation of small lines and swirls on large pieces of paper. It takes time to work on such an intimate scale; and, therefore, I imagine, it...
Short Take on Margaux Williamson
I Could See Everything The Paintings of Margaux Williamson, Coach House 2014 What I know about painting has been gleaned from looking at paintings, an art form that by now often feels like knitting. The way that Impressionism was a response to Realism. How does painting respond to the ubiquitous digital image? What I want...
Alex Porco in Conversation with Kerri Pullo
Kerri Pullo’s asemic writing exists at the boundaries of calligraphy, visual poetry, and graffiti. Her rhythmic markings, colors, and textures attempt to reproduce the mind’s energia— its transitions, leaps, interruptions, digressions, and even dissipation. Examples of her work are interspersed throughout the interview that follows below. With good humor and refreshing honesty, Pullo discusses her...
Cory Collins: Short Take on Altar for the Bourgeoisie
Altar for the Bourgeoisie is the eponymous drawing from Michael Young’s Coruscant Altars, exhibited in 2011 at The Rooms in St. John’s, the cultural complex that houses Newfoundland and Labrador’s provincial art gallery. Created as part of work from his Elbow Room residency, Altar for the Bourgeoisie showcases the tropes of excess among the rich...
Elvia Wilk in Conversation with J. R. Carpenter
Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important literary aspects that take advantage of the capabilities and contexts provided by the stand-alone or networked computer.” Does this mean everything or nothing? If there’s...
Emily Dickinson & Jen Bervin: Gorgeous Somethings
Far, far outside of MFA circles there is a poet whose poetic practice has breached the confines of the blank page to be etched on every available surface. The Far Outside poet famously left her poems–largely unread by hungry eyes of the 19th Century, other than a lucky editor of a literary magazine–tied in little...
Geneviève Robichaud in Conversation with Benjamin Klein: “Fabrications” a Pop-Up Show
Geneviève Robichaud (GR): You’re curating a Pop-up group show with Margot Ross. What is the show’s intention? What was the curatorial frame/aim? How did you choose the work? Benjamin Klein (BK): The artists in the show titled ‘Fabrications’ are Laura Anderson, David Arseneau, Pierre Julien, Mathieu Levesque, Simone Rochon and Jonathan Schouela. The space (a warehouse...
Chantale Potié Short Take on Beat Nation: Art, Hip Hop and Aboriginal Culture
BEAT NATION: Art, Hip Hop and Aboriginal Culture MACM, October 17 2013 – January 5 2014 By Chantale Potié I see the colour red and think of a beating heart, of red velvet cake, of ladybugs, of my road bike, my son’s bike, his Halloween fireman costume, of Swedish berries, and my favourite shirt which...
Version Anglaise: Candice Maddy in Conversation with Steve Giasson
1. Matérialité : Comment pensez-vous que la permanence ou l’impermanence de votre travail éclaire son sujet? Vous sentez-vous que vos œuvres moins tangibles ou de nature moins permanente vous permettent de prendre plus de risques? Éprouvez-vous de la nostalgie envers l’imprimé? Each work has its own issues, but materiality is always one.Take LOVE FROM NEW...
Words into Pictures: An Interview with Julie Doucet
By Frederik Byrn Køhlert Julie Doucet is a Montreal-based artist who reached an international audience with her personal and innovative comics from the ’80s and ’90s. While her comics work is considered groundbreaking and continues to influence new generations of artists, Doucet quit drawing comics around 1999 and has since worked in a number of...
