Women Take Over the Richler Room

Women Take Over the Richler Room

How does power get situated? How do women hold it? In a correspondence recently someone used “unempowered” to describe someone with lack of access to power. They aren’t the same…

Danica Evering: three poems

Danica Evering: three poems

FOOD Night is when you look into other people’s kitchens. Down in a first floor apartment lightly set into the frozen ground someone holds a crescent clove of garlic to…

Suzanne Zelazo on Janieta Eyre’s Eye Rhymes

Suzanne Zelazo on Janieta Eyre’s Eye Rhymes

“Eye Rhymes: An Introduction to the Photography of Janieta Eyre,” Suzanne Zelazo As an innovator and agitator, Janieta Eyre (1966–) has pioneered an integrative photographic aesthetic that pushes the boundaries…

Alessandro Porco on Steve Venright’s Variegraphy

Alessandro Porco on Steve Venright’s Variegraphy

I believe in domains of exis­tence vivid and com­pelling beyond even this mirac­u­lous real­ity we call the world.[i] – Steve Venright Canadian poet, pataphysician, and psychonaut Steve Venright has been…

Cornelia Barber: Looking at Emma’s Dilemma

Cornelia Barber: Looking at Emma’s Dilemma

        “There is No Scene Here” Looking at Emma’s Dilemma (Henry Hills, 2012) by Cornelia Barber To look is to be curious, to be interested, to lower…

Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

Alex Porco in Conversation with Katherine Sehr: I’m Drawing a Language

[22 May 2014 – 3 June] Alex Porco (AP): I’d like to start by asking you to discuss the physical experience of making your artwork. Each drawing is the accumulation…

Short Take on Margaux Williamson

Short Take on Margaux Williamson

I Could See Everything The Paintings of Margaux Williamson, Coach House 2014 What I know about painting has been gleaned from looking at paintings, an art form that by now…

Alex Porco in Conversation with Kerri Pullo

Alex Porco in Conversation with Kerri Pullo

Kerri Pullo’s asemic writing exists at the boundaries of calligraphy, visual poetry, and graffiti. Her rhythmic markings, colors, and textures attempt to reproduce the mind’s energia— its transitions, leaps, interruptions,…

Cory Collins: Short Take on Altar for the Bourgeoisie

Cory Collins: Short Take on Altar for the Bourgeoisie

Altar for the Bourgeoisie is the eponymous drawing from Michael Young’s Coruscant Altars, exhibited in 2011 at The Rooms in St. John’s, the cultural complex that houses Newfoundland and Labrador’s…

Elvia Wilk in Conversation with J. R. Carpenter

Elvia Wilk in Conversation with J. R. Carpenter

Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important…

Emily Dickinson & Jen Bervin: Gorgeous Somethings

Emily Dickinson & Jen Bervin: Gorgeous Somethings

Far, far outside of MFA circles there is a poet whose poetic practice has breached the confines of the blank page to be etched on every available surface. The Far…