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Category: In Conversation

There Is No Capital I: In Conversation with Nathanaël
  • In Conversation

There Is No Capital I: In Conversation with Nathanaël

  • Posted on June 22, 2018February 14, 2019
  • by LEC

Tatum Howey: Nathanaël is what we wish we could be. Nathanaël is the consequence or possibility of fruition of our actions. Nathanaël embodies what we desire. Desire makes you aware…

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In Conversation: Phoebe Fregoli and Will Aitken
  • In Conversation

In Conversation: Phoebe Fregoli and Will Aitken

  • Posted on March 15, 2018March 15, 2018
  • by LEC

ANNE CARSON, ANTIGONE, AND THE PERILOUSNESS OF THEATRE: IN CONVERSATION WITH WILL AITKEN Phoebe Fregoli: I wanted to start—I know that you mentioned in your book that you were going…

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Take Care Of Your Dead: Juliette Binoche, Anne Carson, Ivo Van Hove in Conversation Will Aitken
  • In Conversation

Take Care Of Your Dead: Juliette Binoche, Anne Carson, Ivo Van Hove in Conversation Will Aitken

  • Posted on March 6, 2018March 15, 2018
  • by Sina

VIII. ANTIGONE Juliette: Antigone is like a bomb. She has three scenes and they’re like the bombs of the play somehow. Because from that there are consequences. Anne: Reverberations. Juliette:…

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In Conversation: Marina Carr
  • In Conversation

In Conversation: Marina Carr

  • Posted on December 12, 2017December 12, 2017
  • by T H

Marina Carr, renowned Irish playwright, visited Concordia University this past November to give a master class and a reading of her work. Carr’s plays, which often involve meditations on violence,…

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Women, Epic, Live Wires: In Conversation with Sue Goyette
  • In Conversation

Women, Epic, Live Wires: In Conversation with Sue Goyette

  • Posted on December 12, 2017December 5, 2019
  • by Sina

Halifax poet Sue Goyette is the author of six books of poetry including Ocean, a finalist for the 2014 Griffin Prize for Poetry, and more recently Penelope, published last month…

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Durga Chew-Bose: 3 Questions
  • Essays & Fragments

Durga Chew-Bose: 3 Questions

  • Posted on October 11, 2017October 11, 2017
  • by Tess Liem

Sometimes what feels risky to me might seem quite guarded to readers. –Durga Chew-Bose Tess Liem: In your writing, especially in “Heart Museum,” you use repetition to create rhythm and…

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  • Curating & Archiving

Emma Donoghue: You Never Finish Your Research

  • Posted on September 7, 2016July 11, 2017
  • by Sina

In 2013 Emma Donoghue visited Concordia for a reading and a master class. She talked about the joy of the archives and the endless research involved in writing fiction. WR…

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In Conversation: Shane Book
  • In Conversation

In Conversation: Shane Book

  • Posted on May 9, 2015July 17, 2017
  • by Sina

SQ: You’ve been writing poetry for many years–I first heard about you in glowing terms back in 1999 or so–and yet you’ve just published your second book. Is there a…

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  • In Conversation

Cornelia Barber in Conversation with Ana Božičević

  • Posted on May 6, 2015July 17, 2017
  • by gen rob

What does it mean for the subject of a poem to embody selflessness; to face death with contemplation and elation; to strive to see our screwed up world objectively, but…

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Interview: Metatron Press
  • In Conversation

Interview: Metatron Press

  • Posted on April 29, 2015July 11, 2017
  • by Jake Byrne

Jake Byrne: Why did you decide to start Metatron? Was there a void in the Montreal literary community or the publishing scene at large that you felt you needed to…

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Cornelia Barber in Conversation with Cecilia Corrigan
  • In Conversation

Cornelia Barber in Conversation with Cecilia Corrigan

  • Posted on April 27, 2015July 11, 2017
  • by gen rob

Cecilia and I talked about her explosively polyvocal book of poetry Titanic; poetic methodologies; abjection; intimacy; Epicurean balance; rebellion against the normal tired format of the poetry reading; her performance…

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Lynn Coady: Four Questions
  • In Conversation

Lynn Coady: Four Questions

  • Posted on March 10, 2015July 11, 2017
  • by Sina

Frankie Barnet: Place plays a significant role in your work. Stories like “Wireless”, “Hellgoing” and “Another World” all seem to have an interest in exploring and critiquing cosmopolitan aspects of…

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