In Conversation: Marina Carr

In Conversation: Marina Carr

Marina Carr, renowned Irish playwright, visited Concordia University this past November to give a master class and a reading of her work. Carr’s plays, which often involve meditations on violence,…

Emma Donoghue: You Never Finish Your Research

In 2013 Emma Donoghue visited Concordia for a reading and a master class. She talked about the joy of the archives and the endless research involved in writing fiction. WR…

Lynn Coady: Four Questions

Lynn Coady: Four Questions

Frankie Barnet: Place plays a significant role in your work. Stories like “Wireless”, “Hellgoing” and “Another World” all seem to have an interest in exploring and critiquing cosmopolitan aspects of…

Claudia Rankine: from Citizen

Claudia Rankine: from Citizen

From the cover to the sequencing, from the command of the line to the glide from essay to poem to prose to meditation, Claudia Rankine’s Citizen: An American Lyric is…

Call for Submissions: The New Vancouver Poets Folio

Call for Submissions: The New Vancouver Poets Folio

Lemonhound and Poetry Is Dead are teaming up to create a folio spotlighting New Vancouver Poets. Co-edited by Dina Del Bucchia and Daniel Zomparelli, we seek to publish work from…

La Théorie, un dimanche: we want to hear from you

La Théorie, un dimanche: we want to hear from you

In celebration of Quebec’s diverse writing by women, we’re putting a celebratory folio together for the fall that captures the impact that La Théorie, un dimanche (remue-ménage, 1988) and its…

Josef Kaplan: Two Introductions

INTRODUCING TRISHA LOW I think we can all agree that “emotional poetry” is a disease. Maybe not the poetry. But the incessance of the emotional environment—the appeals to a “felt”…

Elvia Wilk in Conversation with J. R. Carpenter

Elvia Wilk in Conversation with J. R. Carpenter

Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important…

Max Bledstein on Omari Newton’s Sal Capone

Sal Capone: The Lamentable Tragedy of, a play by Omari Newton. MAI Centre, Montreal, 2013. By Max Bledstein The history of racial relations in North America has certainly been a topic…

Emily Keeler: Anne Carson at IFOA

Emily Keeler: Anne Carson at IFOA

Anne Carson Wednesday, October 30, 2013 The line is so long and the lobby is so small and we’re all here to see a poet who is improbably famous but…

Synapse: Guillaume Morrissette

the last time I saw you I was so angry at the most unnegotiable parts of yourself that I thought “black hole lobbed around twice‟. my thoughts were distorted, this…

Laura Huzzy on Carson’s Stacks

By Laura Huzzy The line at the box office made it look like it’d sell out. It was strange to see such a well-attended poetry reading, not that I’d never…