In Conversation: Marina Carr

Marina Carr, renowned Irish playwright, visited Concordia University this past November to give a master class and a reading of her work. Carr’s plays, which often involve meditations on violence,…

Emma Donoghue: You Never Finish Your Research

In 2013 Emma Donoghue visited Concordia for a reading and a master class. She talked about the joy of the archives and the endless research involved in writing fiction. WR…

Lynn Coady: Four Questions

Frankie Barnet: Place plays a significant role in your work. Stories like “Wireless”, “Hellgoing” and “Another World” all seem to have an interest in exploring and critiquing cosmopolitan aspects of…

Call for Submissions: The New Vancouver Poets Folio

Lemonhound and Poetry Is Dead are teaming up to create a folio spotlighting New Vancouver Poets. Co-edited by Dina Del Bucchia and Daniel Zomparelli, we seek to publish work from…

La Théorie, un dimanche: we want to hear from you

In celebration of Quebec’s diverse writing by women, we’re putting a celebratory folio together for the fall that captures the impact that La Théorie, un dimanche (remue-ménage, 1988) and its…

Josef Kaplan: Two Introductions

INTRODUCING TRISHA LOW I think we can all agree that “emotional poetry” is a disease. Maybe not the poetry. But the incessance of the emotional environment—the appeals to a “felt”…

Elvia Wilk in Conversation with J. R. Carpenter

Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important…

Max Bledstein on Omari Newton’s Sal Capone

Sal Capone: The Lamentable Tragedy of, a play by Omari Newton. MAI Centre, Montreal, 2013. By Max Bledstein The history of racial relations in North America has certainly been a topic…

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