Durga Chew-Bose: 3 Questions

Sometimes what feels risky to me might seem quite guarded to readers. –Durga Chew-Bose Tess Liem: In your writing, especially in “Heart Museum,” you use repetition to create rhythm and…

Jacob Wren on Leanne Simpson: Dancing on Our Turtle’s Back & Islands of Decolonial Love

Dancing on Our Turtle’s Back: Stories of Nishnaabeg Re-creation, Resurgence and a New Emergence, Leanne Simpson (ARP Books, 2011)       Islands of Decolonial Love: Stories and Songs, Leanne Simpson (ARP…

Lynn Coady: Four Questions

Frankie Barnet: Place plays a significant role in your work. Stories like “Wireless”, “Hellgoing” and “Another World” all seem to have an interest in exploring and critiquing cosmopolitan aspects of…

Malcolm Sutton in Conversation with Alisha Piercy: Bunny and Shark

Malcolm Sutton (MS): Your new novel, Bunny and Shark (BookThug 2014), centres on a Playboy Bunny who is thrown out, in a most dramatic and violent gesture, by her long-time…

A Few Of My Favorite Things: Children’s Books

Who Built That? Modern Houses, Princeton Architectural Press, 2014 My three year-olds are technically way too young for this, but I bought it for them anyhow because we already look…

Daniel Zomparelli: In praise of three great first books

Misadventures by Nicholas Grider A Strange Object Press Short Fiction Grider writes a book that is about form, about structure just as much as narrative. He takes characters who wouldn’t…

Rachel Zolf on Juliana Spahr: The Transformation thinks wit(h)ness

This essay was originally written as part of Laynie Browne’s project to curate essays on the “poet’s novel”  in mid-2013.A The Transformation, Juliana Spahr. Atelos, 2007 Thinking thought usually amounts…

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