Elvia Wilk in Conversation with J. R. Carpenter

Electronic Literature is a loaded and slippery category. It is rather dryly defined by the Electronic Literature Organization (what other art form needs a governing body?) as “works with important…

Kate Sterns on Claire Messud: The Woman Upstairs

Nora Eldridge, the narrator of Claire Messud’s latest novel, The Woman Upstairs (Random House, 2013), is by her own description one of those quiet women—middle-aged, single, dutiful—who live “at the…

Jordan Abel and Renée Saklikar in Conversation: Accumulation as a Political Act

Daniel Zomparelli (DZ): I read both of your books consecutively (The Place of Scraps (Talonbooks, 2013) by Jordan Abel and children of air india (Harbour Publishing, 2013) by Renée Saklikar), and in my…

Trisha Low on Nathaniel G. Moore: Savage 1986-2011

“The function of the wrestler is not to win: it is to go exactly through the motions which are expected of him.” —Roland Barthes, “The World of Wrestling,” Mythologies Let’s…

Christine Miscione on John Berryman: The Dream Songs

DREAM SONG 4 Filling her compact & delicious body with chicken páprika, she glanced at me twice. Fainting with interest, I hungered back and only the fact of her husband…

Eric Schmaltz on Stephen Collis: The Red Album

Let’s pretend: you review me, I review you. We read each other’s poems (barely) and whisper sweet nothings, banal praise. We attend ‘events’ to ‘see’ others and ‘be seen.’ This…