Concetta Principe on Red Doc

Concetta Principe on Red Doc

How are we to read Red Doc as a sequel to Autobiography of Red? – Concetta Principe May 9, 2013 In an essay on Autobiography of Red, in Open Letter…

Mud Is Mud: Ongoing Notes Toward An Essay On The Art Of Fiction

Mud Is Mud: Ongoing Notes Toward An Essay On The Art Of Fiction

Clarity is not accessibility. Accessibility is not simplistic. Brevity isn’t minimalism. Oblique is often too much distance. Less is not always more. Excess is not experimental. One room needs to…

Aisha Sasha John: What to do about it

Aisha Sasha John: What to do about it

On how to proceed How to proceed is about going. The the the first step of proceeding is beginning. How to proceed is to begin, and how to begin is…

No Archive is Neutral: Basements and Attics, Closets and Cyberspace: Explorations in Canadian Women’s Archives

No Archive is Neutral: Basements and Attics, Closets and Cyberspace: Explorations in Canadian Women’s Archives

From “Introduction: No Archive is Neutral,” Basements and Attics, Closets and Cyberspace: Explorations in Canadian Women’s Archives (edited by Linda M. Morra and Jessica Schagerl). You can read one of…

Rob Winger on Al Purdy

Rob Winger on Al Purdy

The People’s Poet: Al Purdy as Organic Intellectual In recent years, I’ve been looking for a contemporary figure who might qualify as what Antonio Gramsci once hopefully envisioned as an…

Daphne Marlatt: Of Mini-Ships and Archives

Daphne Marlatt: Of Mini-Ships and Archives

To think about women’s archives is to think about how recently (say, in the last century and a half) women’s lives in the Western world have moved from the private…

Margaret Christakos: Slay it Again, Anne

Margaret Christakos: Slay it Again, Anne

Anne Carson’s new “re/verse-novel” re-spins time, grief, thinking, psychoanalysis and the poem by Margaret Christakos Spin One: Time Anne Carson is a writer whose compulsion to understand time is bottomless.…

Carmine Starnino: Steampunk Zone

Carmine Starnino: Steampunk Zone

In our mashup-mad era, we yearn for unpigeonholeability. We don’t want to be different. We want to be weird. We want to be total category-killers. As a result, it’s hard…

Abstract/Concrete #3 – Natalie Czech

Abstract/Concrete #3 – Natalie Czech

I’ve written in several places about erasure texts (most recently in the latest issue of Evening will come) as typified by Jen Bervin’s nets. Berlin’s Natalie Czech creates uncanny limit-case…

How Some Folks Would Do: Satire in CanLit

How Some Folks Would Do: Satire in CanLit

Classical satire has two distinct streams. The first, following Horace, is gentle and urbane, with a soft, self-effacing mien. The second, derived from Juvenal, is nasty, vicious, and angry. Both…

Lisa Robertson & Catriona Strang

Lisa Robertson & Catriona Strang

Here, we find an archival gem that illuminates the pinnacle of an exceptional moment for women’s writing in Canada, in Vancouver in particular. Here, in the thrum of the Giantess…

Vanessa Place: The Allegory and the Archive

Vanessa Place: The Allegory and the Archive

The Allegory and the Archive/ Vanessa Place But I must constantly repeat that I say all this in connection with repetition. Kierkegaard Je ne suis point la justice. PlaceWith luck,…