Tanis MacDonald on Shawna Lemay’s Hive: A Forgery

Tanis MacDonald on Shawna Lemay’s Hive: A Forgery

Hive: A Forgery,  Shawna Lemay. Self-published, 2012. Reviewed by Tanis MacDonald To say that Shawna Lemay’s poetic prose in Hive: A Forgery reminded me of Elizabeth Smart’s By Grand Central…

Paul Watkins on Vicuña and bissett: A Poetics of “Meditaysyun”

Spit Temple, Cecilia Vicuña. Trans. Rosa Alcalá. Ugly Duckling Press, 2012. hungree throat, bill bissett. Talonbooks, 2013. Review By Paul Watkins  As literary scholar Charles Bernstein states: “What interests me…

Eric Schmaltz on The Dark Would: an anthology of language art

The Dark Would: anthology of language art. Ed. Philip Davenport. Apple Pie Editions, 2013. Review by Eric Schmaltz For years now many practitioners who have identified with uncreative writing and…

Fazeela Jiwa on Maged Zaher’s Thank You for the Window Office

Thank You for the Window Office, Maged Zaher. Ugly Duckling Presse, 2012. Review by Fazeela Jiwa In Thank You for the Window Office, Maged Zaher’s writing echoes the short attentions…

Nicholas Papaxanthos on Mary Ruefle: Writing is Writing

Nicholas Papaxanthos on Mary Ruefle: Writing is Writing

Madness, Rack, and Honey, Mary Ruefle. Wave Books, 2012. Trances of the Blast, Mary Ruefle. Wave Books, 2013. Review by Nicholas Papaxanthos “I always looked askance at writing on writing,…

Myna Wallin on Ann Shin’s The Family China

The Family China, Ann Shin. Brick Books, 2013. Reviewed by Myna Wallin On the cover of Ann Shin’s second collection of poetry, The Family China, a photograph shows the female…

Zoe Sharpe on Kelli Deeth’s The Other Side of Youth

The Other Side of Youth, Kelli Deeth. Arsenal Pulp Press, 2013. Review by Zoe Sharpe Kelli Deeth’s The Other Side of Youth is a collection of acute and subtle short…

Alan Reed on George Perec’s La Boutique Obscure

Alan Reed on George Perec’s La Boutique Obscure

La Boutique Obscure, Georges Perec. Trans. Daniel Levin Becker. Melville House, 2013 Review by Alan Reed La Boutique Obscure is a translation of the dream journal kept by Georges Perec…

Nikki Sheppy on Gillian Savigny’s Notebook M

Notebook M, Gillian Savigny. Insomniac Press, 2012. Review by Nikki Sheppy Winner of the 2013 Gerald Lampert Memorial Award, Gillian Savigny’s Notebook M explores the poetic dimensions of the scientific…

Lise Gaston on Daisy Fried & Elizabeth Bachinsky

The Hottest Summer in Recorded History, Elizabeth Bachinsky. Harbour Publishing, 2013. Women’s Poetry: Poems and Advice, Daisy Fried. University of Pittsburg Press, 2013. Review by Lise Gaston Elizabeth Bachinsky’s fifth…

Julija Šukys on Dany Laferrière’s The World Is Moving Around Me: A Memoir of the Haiti Earthquake

Julija Šukys on Dany Laferrière’s The World Is Moving Around Me: A Memoir of the Haiti Earthquake

The World Is Moving Around Me: A Memoir of the Haiti Earthquake, Dany Laferrière. Trans. David Homel. Arsenal Pulp Press, 2013. by Julija Šukys   Writer Dany Laferrière found himself…

Diana Jones-Ellis on Sarah Pinder’s Cutting Room

Diana Jones-Ellis on Sarah Pinder’s Cutting Room

Cutting Room, Sarah Pinder. Coach House Books, 2012. by Diana Jones-Ellis Deeply immersed in an articulation of the materiality of objects, Sarah Pinder’s evocative and haunting collection, Cutting Room, often…