Erin Wunker: from Notes from a Feminist Killjoy

Erin Wunker: from Notes from a Feminist Killjoy

This is an excerpt from a longer chapter titled “Notes on Rape Culture” and is posted with permission from the author. Every now and then in the writing of this,…

Phoebe Glick: prose

Phoebe Glick: prose

FEAR FACTOR Looking after yourself is hard if you’re not much of a people person. Once I entered the doctor’s office and was photographed by a robot receptionist whose one…

Essay: Nora Fulton’s “The Inaugural Mood”

Essay: Nora Fulton’s “The Inaugural Mood”

The Inaugural Mood Criticisms from the Field: The Vancouver 125 Poetry Conference and the Futurity of Poetics The temporality of our forms of poetic engagement have a strange character. On…

Eli Burley on Mary Hickman: This Is the Homeland

Eli Burley on Mary Hickman: This Is the Homeland

This Is the Homeland, Mary Hickman. Ashahta Press (2015). POEMS FOR THE WAYWARD PILGRIM: MARY HICKMAN’S THIS IS THE HOMELAND As a surgical technologist assisting in open-heart surgery, Mary Hickman…

Hannah Karpinski on Billy-Ray Belcourt: This Wound is a World

Hannah Karpinski on Billy-Ray Belcourt: This Wound is a World

This Wound is a World, Billy-Ray Belcourt. Frontenac House (2017). In her essay “Queer Feelings,” from The Cultural Politics of Emotion, Sara Ahmed writes, “Sexual orientation involves bodies that leak…

Tanis Franco: one poem

Tanis Franco: one poem

SAILOR GARBAGE What garbage you are. What garbage you are. What simmering garbage.   What are you simmering garbage?   Here are the things that are eternal: 1. Garbage 2.…

Emily Zuberec on Jen George: The Babysitter at Rest

Emily Zuberec on Jen George: The Babysitter at Rest

The Babysitter at Rest, Jen George. Dorothy Project (2016) Writing a review for the five stories that comprise Jen George’s debut collection, The Babysitter at Rest, has been somewhat of…

Eli Burley on Erín Moure: Planetary Noise

Eli Burley on Erín Moure: Planetary Noise

Planetary Noise, Erín Moure. Wesleyan University Press (2017). MOURE INTERPRETING THE SEMIOTIC BODY Planetary Noise—a new collection of Erín Moure’s poetry edited and with an introduction by Shannon Maguire—engages in…

Malaea Ergina & Hannah Karpinski on Daphne Marlatt: Intertidal

Malaea Ergina & Hannah Karpinski on Daphne Marlatt: Intertidal

Intertidal: The Collected Earlier Poems, 1968–2008, Daphne Marlatt. Talon Books (2017). We went to see Daphne Marlatt read as part of Writers Read before we got our hands on her…

Liz Harmer on Zadie Smith: Feel Free

Liz Harmer on Zadie Smith: Feel Free

Feel Free, Zadie Smith. Hamish Hamilton (2018). It seemed to me, as I read Feel Free, Zadie Smith’s new collection of nonfiction, that every essay in the world concerns the…

Alexei Perry Cox on Jen George: The Babysitter at Rest

Alexei Perry Cox on Jen George: The Babysitter at Rest

The Babysitter at Rest, Jen George. Dorothy Project (2016). IT’S A DELICATE MATTER TO BE A DIFFICULT WOMAN Clarice Lispector never understood why readers found her work opaque. The fact…

Laura Broadbent: from In On The Great Joke

Laura Broadbent: from In On The Great Joke

LAO TZU APPLIES FOR A UNIVERSITY TEACHING POSITION To whom it may concern, and it is my hope that no one is concerned, The class I do not propose to…