MOMENTUM EXCHANGE TETHER (A DANCE SCORE) I didn’t see the sky tonight and didn’t think about its legislators. At some point I didn’t need a better view I needed…
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FACTS ABOUT XANTHIPPE The facts about Xanthippe are scant: her name, her marriage. Her husband’s words are only reported by others, so, really, we can’t be sure of much. Plato’s…
HYPERBARREN ONE: the marital bed (if i am a bright housewife) i came to this university in order to be closer to this wooden table …
For our third volume, Lemon Hound 3.0 responds to this transformative moment in our literary community by publishing work that intends to smash, upend, rally against, dream of, reclaim, and…
Andy McGuire’s “Pool” advances an end rhyme all the way to the end of the diving board at knifepoint. Pool whirligigs across the page, traveling from New York to the…
Ones Who Got Away With It I still fantasize I can do something about it. That girl in the outpatient-care facility for teenagers confided to me that she sneaked out…
Today is stunning. —Renee Gladman For our third volume, Lemon Hound 3.0 responds to this transformative moment in our literary community by calling for work that intends to smash, upend,…
ALLER/RETOUR Day recedes to darkness Day seen through the veil of night Translucent grey film cast between daylight and dark dissolving sky to lavender to mauve to white until night…
Erin Wunker: I love Anne Boyer’s poem “What Resembles The Grave But Isn’t.” I love its repetition. I love how each sentence hits the mind with the determination of someone…
Come the Revolution Come the revolution / we will the revolution / we will return to the revolution / return to the sensuous body of language / come the revolution…
Marina Carr, renowned Irish playwright, visited Concordia University this past November to give a master class and a reading of her work. Carr’s plays, which often involve meditations on violence,…











