LH: I can’t think of a more extreme follow up to Kingdom, Phylum, but looking at Kingdom, Phylum again I thought, well, actually this kind of makes sense. Particularly given…
Category: In Conversation
Entretien entre Pierre Dumayet et Michèle Berstein au sujet de Tous les chevaux du roi. Source: YouTube Durée : 8 min 9 sec. Pierre Dumayet (PD): C’est un premier roman. C’est un…
Pierre Dumayet in Conversation with Michèle Bernstein on All the King’s Horses Source: YouTube Duration: 8 min 9 sec. Pierre Dumayet (PD): This is a first novel. This is a brilliant…
Welcome to On Beauty, a series of interviews with poets about their relationships to beauty. For an introduction to the project, click here. This month Oana Avasilichioaei responds in essay form…
Welcome to On Beauty, a series of interviews with poets about their relationships to beauty. For an introduction to the project, click here. This month Amanda Jernigan shares her thoughts on…
“I’ll give it a go”: An Interview with Alice Burdick (Pt. 2) May – June 2013 In early 2012, I conducted an interview for Open Book Toronto with poet Alice…
“Matter in the Symbolic Universe”: An Interview with Laura Jaramillo AP: Before we delve proper into your wonderful debut collection of poetry, Material Girl (Subpress 2012), could you perhaps introduce your…
GM: As you know, concurrent with the success of your novels this last decade (my personal favourite being Galore), I’ve been goading you at parties and readings about when we’d…
SQ: Goyette & Gillis you are both mid-career poets by the Canada Council standards. do you feel satisfied by your trajectory so far? What are the signposts of a successful…
Robin Richardson is the author of Grunt of the Minotaur (Insomniac Press) and the forthcoming Knife Throwing Through Self-Hypnosis (ECW Press). Her work has appeared in or is forthcoming in…
Welcome to “On Beauty,” a series of interviews with contemporary poets about their relationships with beauty. For a complete introduction to the project, see poets-on-beauty. I’m delighted that this month A.…
1. Matérialité : Comment pensez-vous que la permanence ou l’impermanence de votre travail éclaire son sujet? Vous sentez-vous que vos œuvres moins tangibles ou de nature moins permanente vous permettent…