Hoa Nguyen’s “As Long As Trees Last”

Hoa Nguyen’s “As Long As Trees Last”

Some years ago, during a seminar on Joanne Kyger in one of my favourite classes at McGill (“Poetry at the Mid-Century: the New York School and the San Francisco Renaissance”),…

Abstract / Concrete #1: Judith Copithorne (By derek beaulieu)

Abstract / Concrete #1: Judith Copithorne (By derek beaulieu)

RUNES Discussion of concrete poetry tends to centre on male figures—personalities and practices which dominate the discourse. This domination suggests that there isn’t a preponderance of women in concrete poetry…

Robyn Sarah on Beauty

Robyn Sarah on Beauty

Welcome to the third installment of On Beauty, a series of interviews with poets about their relationship to beauty. For an introduction to the project, see  Poets On Beauty. The…

Lise Downe’s “This Way”

Lise Downe’s “This Way”

An old wooden sign points both left and right – on it written ‘THIS WAY.’ The cover of Lise Downe’s most recent book is cleverly a sign, both literally [a…

Two from Derek Beaulieu’s “No Press”

Two from Derek Beaulieu’s “No Press”

If you aren’t aware, Derek Beaulieu is a prolific artist who is extremely active within multiple art communities. No surprise then that his newest chapbook imprint No Press is just…

Candice Maddy en conversation avec / with Steve Giasson

Candice Maddy en conversation avec / with Steve Giasson

J’aurais envie de répondre comme Warhol : « …I realized that everything I was doing must have been Death. » La mort m’obsède, mais je ne peux pas dire qu’elle « m’intéresse ». J’aime cette histoire de Freud qui raconte qu’il y a longtemps, un roi britannique, atterré par la mort de sa femme, la fit transportée dans tout le royaume. Chaque fois que le cercueil fut déposé au sol, on éleva un monument à cet endroit. Certains de ces monuments existent encore aujourd’hui. Imaginons, poursuit Freud, une femme allant pleurer chaque jour devant l’un d’eux. Cette femme serait une névrosée. Je me trompe peut-être, mais il me semble que ça a quelque chose à voir avec l’art. Beaucoup d’œuvres sont des monuments qui se cachent.

The Poneme: Elliptical Machines

Darcie Dennigan runs a reading series in Providence, and a couple of years ago I bumped into my old friend Leeore on the street outside the bar that hosts the…

Panning for Gold: The Fate of Short Fiction in a Novelistic World

Panning for Gold: The Fate of Short Fiction in a Novelistic World

I was recently sent a self-published collection of stories. The author of this collection had published previously, and been reviewed favourably. The new collection had been submitted to numerous publishers,…

Helen Guri’s “Match”

Helen Guri’s “Match”

Robert Brand is no Superstar Ken doll, but rather an emotionally challenged middle-ager who buys into the lyrics of the “Barbie Girl” song that when “life is plastic, it’s fantastic.”…

Daniel Zomparelli: Ermahgerd Perertry or How to Build a Language Overnight

I’ve been a longtime proponent of pop-culture and memes. This gets me into a lot of debates that a poet shouldn’t get into. Debating Ludacris’ lyrics as sound poetry may…

Donato Mancini’s “You Must Work Harder to Write Poetry of Excellence”

Donato Mancini’s “You Must Work Harder to Write Poetry of Excellence” is a book about writing about poetry. There is an ideology lurking unspoken in the practice of reviewing poetry…

An Abandonded Prologue to Pasha Malla’s “People Park”

An Abandonded Prologue to Pasha Malla’s “People Park”

This was my first attempt, after months of drawing maps and filling notebooks, at writing an overview of the city in People Park. I’d intended to use it as a…